Brazilian Music and Culture Essay Example | Topics and Well Written Essays - 3000 words

Brazilian Music and Culture - Essay ExampleAccessibility of music is thus a complex phenomenon that encompasses these features and others that will be explored by this paper with specific reference to the Brazilian genus Circus and how it re juveniles to the social conditions of the inelegant. Eisentraut asserts that to understand music, it can be categorized into physical, own(prenominal) and participatory classes1. Accordingly, this paper will start the scrutiny commencing with a draft description of the Brazilian culture and music for the period of the carnival. Globalization has led to more(prenominal) contact with music and in particular to spread of the allure of the carnival across very many nations, with as much 500,000 guest attending the Rio de Janeiro carnival in the year 2013. Historical Background of the Carnival Brazil usually host some of the most vivacious and exuberant carnival celebrations in the world, though other countries most notably china also host carniv al celebrations. The carnival celebrations in Brazil can be traced back to Catholic countries in Europe, these were parties hosted before the Lent (these were the 40 days Jesus spent in the wilderness). The celebrations were customarily concluded on Ash Wednesday during which people appreciated the phase of non-indulgence for forty days. The term carnival is said to have been derived from the Latin word carne lev atomic number 18, which means to remove meat, during the Lent eating of meat by Catholics is forbidden. The carnival has since locomote from the religious nature of the party to a more of a street party composed of lots of music, dancing and elegant displays of costumes. It has retained the celebrations, as they get place before the Ash Wednesday that is between Saturday and Tuesday. The worlds most famous and arguably, the self-aggrandizinggest street carnival is the Rio de Janeiro one, Salvador does also host a comparatively big street carnival. Street celebrations do take an array of styles throughout the country, different towns and cities across the country have street carnivals where live bands march along the streets playacting sambas and marchas, and they are then followed by very many carnival enthusiasts. Music component in the carnival Music genres played during the festival varies across the country with each roles style an indication of European, African and Indo-American influence2. The genres reveal significant differences in the styles and music played between the North Eastern region and that of the South Eastern region. The music performed in the North Eastern areas is generally samba, samba-reggae and axe. This music style derives a lot of influence from the African music more specifically from the Yoruba slaves brought from West Africa they composed and performed their song in a bid to show union amongst themselves and to denounce slavery3. As early as in the late 1800s the black population in this region began commemorating the festival with their own unique style. In the streets of Olinda and Recife, the music played during the carnival is mostly the local preferred genre the frevo, in addition to this genre maracatu, samba, samba reggae, axe amongst others are also played. In the state of Bahia, during the carnival it is common to spot trio electricos- these are long Lorries full of musicians playing loud and deafening music